Categories
rock

Global Charming – Mediocre, Brutal

What started as a side-project by musicians of various indie bands in Amsterdam, took shape in this debut mini-album. Global Charming is as Dutch as pop music gets: a bit clumsy, raw, uncomfortably comfortable. Mediocre, Brutal also marks a new peak for Subroutine. It turns fifteen this year and with excellent releases by Naive Set, Apneu and Global Charming so far the record label lives op to the expectations.

More about Subroutine’s anniversary soon.

Let’s talk about Global Charming.

Lately, The Netherlands are a goldmine for lovers of quirky indie rock. Global Charming is heavily influenced by Talking Heads and other no wave and postpunk from the late seventies, but sounds typically Dutch. Like Lewsberg, De Avonden, Rats on Rafts and Katafreuffe, the foursome sounds angular and direct. Like the famous Dutch literature in the 1950s and 1960s. There is also this hidden influence of the Dutch Ultra’s from the early 1980s. As Peter Bruyn wrote, echo’s of Dutch bands like The Ex, De Nits, Minny Pops and De Div are also present.

The details make Mediocre, Brutal so memorable: the synthesizer burps in ‘Soft Fruit’, the clumsy guitar solo in ‘Curveball’, Sara Elzinga’s vocals suddenly present in the background, flute in ‘If It Is’.

But it’s the overall vibe that makes this such a good debut. In the best moments, Global Charming sounds confident in letting go and play as loose as possible. ‘No Compromise’ and ‘My Turn To Sleep’, both under two minutes, are examples of this raw, a bit clumsy sounding style. ‘Celebration’ shows the future potential: a 4,5-minute motorik-driven, raw and direct rocker with a killer chorus that encourages to sing along. Reminds me of the best songs of LCD Soundsystem.

On the 16th of October the band, together with Apneu, will play at Patronaat Haarlem to celebrate Subroutine’s 15th birthday. Don’t miss it.

Mediocre, Brutal by Global Charming is released on Subroutine Records.

By theo

Founder of STASIS. Writes about pop, culture, media, design and art at FRNKFRT. Used to be a journalist for Opscene, OOR, Bassic Groove, The Quietus, Gonzo (circus) and several newspapers. Former editor-in-chief at cut-up and KindaMuzik. Still drowns himself in pop culture every second of the day.